Power of Diversity
The Crossing Lines Project
Crossing Lines is the title of the European large scale cooperation project: Power of Diversity, co-funded by the Creative Culture Programme of the European Union.
The other Partners are:
Pikene på Broen, Kirkenes/N,
Temudas Festival, Las Pamas de Gran Canaria/E,
Bytomskiego Centrum Kultury, Bytom/PL,
Teatrul National “Radu Stanca” Sibiu/ RO,
Tête-à-tête Festival, Rastatt/DE
Corn Exchange Trust, Newbury/UK,
Passage Festival, Helsingør/DK,
Creative foundation, Folkestone/UK
and the Gerhart-Hauptmann-Theater Görlitz-Zittau.
Another artistical cooperation with Rapucation de Berlin.
There is a new international Ensemble! In June and July 2017 30 young people from 10 countries came to PAN.OPTIKUMs production centre.
They developed together the performance Crossing Lines. In a cooperation between the PAN.OPTIKUM team and Rapucation from Berlin.
The premiere was at July 28th in Freiburg. From there the power-of-diversity- -group started directly to PASSAGEFESTIVAL in Helsingør, DK and Newbury, UK. (August 5th and 12th 2017).
The young people were selected during the first site specific productions at the partners short videos and descriptions below.
Scroll down for the schedule of the new performance in 2018 through European festivals. It will start in February at barents spektakel 2018 in Kirkenes.
On Saturday, 10 June 2017, Folkestone/UK became a stage for a theatrical performance. The site-specific show, inspired by Oscar Wilde’s fantastical short story “The Fisherman and his Soul”, led the large audience through the Old High Street, a tradition-laden road in the historical city centre. Cafés, restaurants, shops and flats transformed into the stage of this piece as the audience followed the young fisherman on his travels into a strange watery world. Oskar Wilde inverted the tale of the little mermaid. In his story, the man falls in love and follows the beloved water creature into the depths of the sea.
This requires that he separate himself from his human soul, who repeatedly calls out to him and tries to lure him back onto solid land. The fisherman then indeed leaves the sea in order to lay eyes on a young dancing girl with naked feet.
Despairing, he returns to the sea, but his beloved dies and he lets himself be drawn by the sea into the depths.
The piece poses questions about yearning, freedom and the utterly human feeling of being drawn to what is known, what is home.This work marks the end of the first part of the overall project. On Sunday, 18 June, all the artists selected from the European partner cities traveled to Freiburg in order to work on the main large-scale venue production.
Where do we come from and where do we go at the end of our journey? In Deventer youths took the audience on an exciting adventure full of surprising moments, unexpected turns, and strange characters. The spectators were split in two groups which experienced the different episodes of the play, consecutively. Dark clowns asked them philosophical questions, a witch passed out a magic potion, and finally the buildings of Deventer disappeared among the stars in a projection. This piece made you think – not least because the audience had to solve a riddle together in order to be able to watch the finale of the show, which consisted of a dance choreography.
HOCHWASSERZUKUNFT (Floodwaters Future) was the title of the performance in Freiburg that more than 20 youths from Freiburg as well as Syria, Irak, Iran, and Afghanistan worked on for several months. In this play, two groups of adolescents meet at night at an outdoor swimming pool, which they entered illegally. In ten separate episodes, they dream what their future will be like in 20 years. Sabine Choucair from Lebanon accompanied the team around director Sigrun Fritsch during the entire process and opened the programme with her Whispered Tales, stories from Lebanon as well as refugee camps from the Middle East and the eastern Mediterranean.
The former Airforce base Greenham Common became the location for a site-specific performance that led the audience through a post-apocalyptic landscape full of strange creatures and mysterious incidents. The theme was man’s quest for his innermost desires. The play was inspired by the novel Roadside Picnic by Russian writers Arkady and Boris Strugatsky as well as by Andrei Tarkovsky’s seminal science-fiction movie Stalker. 70 people joined this very special adventure of a night walk through the Greenham Common.
An adaption of Susan Sontag’s play Lady from the Sea which was performed in and around Marienlyst Castle in Helsingør. The site-specific show was performed by eight local youths and was divided into two parts, one taking place inside and the other one outside of the castle. At the beginning of the play, the audience of approximately 600 people was separated in two groups which saw both parts of the play sequentially. Then the two groups where brought together again to watch the performance’s grand finale in the castle garden.
Premiere: July, 24, 2016,
Las Palmas de Gran Canarias
During the 2016 VIATHEA Festival, the Nicolai Cemetery in Görlitz turned into a performance venue for two very special theatre evenings. More than 20 young people from Görlitz and the surrounding area, with various nationalities (from Afghanistan, Iran, Eritrea, Syria, Morocco, Poland and Germany), moved the audience in their piece about hope and life dreams.
During the 2016 Sibiu Theatre Festival, the 20 dancers and rappers from Sibiu took their audience on a theatrical parcours through the historically significant Astra Park. Displaced dynamics, the title of this site-specific production, fulminated in an impressive RAP finale high up in the park’s trees.
On February 11th, Crossing Lines Kirkenes had premiere at the Barentsspektakel 2016, hosted by Pikene pa Broen. 16 young adults from Kirkenes, Norway and Murmansk, Russia presented a production around the subject „anthropocene“, an expression created by the Geological Society of London in 2008.
For two weeks the group worked together with the team of Rapucation and PAN.OPTIKUM at the Pasvik Folkehøgskole, near Kirkenes.
04th – 06th December2015
03rd – 11th February 2016
22nd February 2018
07th – 09th April 2016
12th – 21th May 2016
19th May 2018
14th – 16th April 2016
08th – 19th June 2016
15th June 2018
15th – 17th January 2016
28th June – 09th July 2016
30th June 2018
31th March – 02th April 2016
13th – 24th July 2016
20th July 2018
27th – 29th May 2016
27th July – 06th August 2016
5th August 2017
23rd – 25th May 2016
17th – 27th August 2016
12th August 2017
19th June – 29th July 2017
24th-26th March 2017
1rst-10th June 2017
9th June 2018
9th -11th April 2017
3rd – 13th May 2017
6th and 7th July 2018
23rd October 2015
30th August 2018
Photos and video cut:
Cameras of the CROSSING LINES
performance on top of the side
MWS media: Phil White,
and Jannik Lingenwald